In the age of the Anthropocene, few places remain untouched by human activity. Our presence has left an irreversible mark on every corner of the planet and on every species we share it with. For humanity to endure, I believe we must relearn how to live in harmony with other beings, respecting life in all its forms and recognizing our profound interconnectedness.

Trees, in particular, have always drawn me in. They are like miniature universes: standing strong, bridging the worlds beneath our feet with the skies above, and sustaining an abundance of life. Across cultures and histories, they appear in myths and stories as symbols of wisdom, endurance, and renewal; an endless source of inspiration. Silent witnesses to the passage of time, trees embody resilience and continuity, guarding the fragile balance between nature and the ever-changing tapestry of humanity. In my artistic journey, they have become increasingly central, finding their way into my canvases as symbols of transformation and continuity.

The World in a Tree is a series of portraits, each a tribute to a tree. Some are inspired by trees I have personally encountered; others are drawn from historic depictions by the Old Masters. In these works, I transform human footprints into imaginary landscapes, transplanting trees into new, reimagined environments. Crafted as analogue collages from satellite imagery of global terrains and finished with oil paint, the series reflects both fragmentation and unity: an invitation to look closer, reconnect, and imagine new ways of coexistence.

In 2026, three works from the series were part of the exhibition Geworteld / Rooted at Museum Het MOW, NL.

News

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The World in a Tree

Mural Featured in Volkskrant Magazine as Part of Fiep Westendorp Special

Feature in Art Seen Magazine, Autumn 2025